Archive for December, 2009

Life Of Miles Davis-The First Miles Davis Quintet

December 31st, 2009 by admin | No Comments | Filed in e writer

In the life of Miles Davis the year 1955 saw the first version or incarnation of the Miles Davis Quintet. In this band there were featured some of the biggest names in jazz of the time such as John Coltrane, red Garland, Paul Chambers and Philly Joe Jones.


It must be said that in the world of jazz this was new stuff and did not move along the lines of the rhythmic and harmonic complexity of the then prevalent bebop. It was a progression towards modal jazz where Davis was allowed to play long, legato, melodic lines. The pianist Ahmad Jamal played a role in the formation of this style at around this time because Davis was strongly influenced by his sparse style which contrasted strongly with the busy sound of bebop.


In 1955 Davis was still under contract to Pretige Records at this time but due to a contract arrangement made the first recordings for this group at Columbia records. The new music was released on the album Round About Midnight. This was followed by the product of two days of recording in 1956 which was released as Relaxin and with the Miles Davis Quintet, Streamin with the Miles Davis Quintet, Workin with the Miles Davis Quintet and cookin’ with the Miles Davis quintet.


In all this quintet amounted to a very productive collaboration but it was never stable. The problem of drugs was never really far away and several of the other members of the group used heroin which caused the band to disband in the early months of 1957. It must be said here that following this, in 1958 the quintet reformed as a sextet but this time with the addition of Julian Cannonball Adderley and subsequently recorded Milestones.


But first, and later on in 1955 Davis traveled again to France but this time it was too composed the score to Louis Malle’s Ascenseur pour l’chafaud. In this work he recorded the soundtrack entirely with the aid of French session musicians which included Barney Wilen, Pierre Michelot, Rene’ Urtreger and the American drummer Kenny Clarke.


Returning to America and later on in the 1950s and early 1960s Davis started a period of outstanding and diverse creativity in collaboration with the noted jazz musician Gil Evans. These two artists recorded a series of albums together which saw Davis often playing flugelhorn as well as trumpet. The first product of the sessions was an album called “Miles Ahead” and showcased Davis’ playing with at jazz big-band, the horn section beautifully arranged by Evans.


The pieces that were produced at this time included music by Dave Brubeck and Leo Delibes and the sessions were notable because they included Davis’ first piece of European classical music. This was important and innovative stuff for the time notably because of its editing which in joining the tracks together created a seamless musical experience between each side of the album.


During this period also and in 1958 Davis and Evans recorded Porgy and Bess. This was a great recording which consisted of an arrangement of pieces from George Gershwin’s opera of the same name and featured members of Davis’ band such as Paul Chambers, Cannonball Adderley and Philly Joe Jones. Davis himself said that this album was one of his favorites.


In 1959 the atmospheric and now famous “Sketches of Spain” was recorded. These were evocative and beautiful pieces of music, by and large arranged by Gil Evans and some of which recorded at a concert in Orchestra under Evans direction. This was all about Spain and the embodiment of the feel and soul of Spain. These Recordings were a spirited interpretation of the music of two of Spain’s most gifted contemporary composers; Joaquin Rodrigo and Manuel de Falla as well as and including Gil Evans originals with a Spanish theme.


Davis’ collaboration with Gil Evans would go on for most of Davis’s life but 1962 was the last year in which they created a full album together. Throughout the two men had a great deal of respect and friendship for each other. In his autobiography Davis noted ;”…my best friend is Gil Evans”.

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Make Money With Websites By Being A Broker

December 31st, 2009 by admin | No Comments | Filed in Make Money

Internet real estate can require the services of a broker similar to property being sold off line. You can help website owners and companies in the buying and selling process of their online real estate by becoming a online real estate broker.

A website broker brings buyers and sellers together and helps make the transaction of selling their websites easier to understand. As web owners know websites are not simple entities. Thus buying one is not a simple matter. When entering such a transaction there are many things you must consider.

Selling an already monetized website is a brokers dream as they make more money with these websites. They are more valuable on the market but are also more complicated to sell.

Regardless of whether the site is prebuilt for sales or is a well created advertising or content site, there are a number of individuals looking for a website brokers to help them sell their websites for top dollar or buy websites that they can use to earn good incomes. Thus being a website broker is a really profitable way to make money with websites.

Brokers also tend to be flippers where they purchase online property to renovate and then sell it to the highest bidder. To be a successful web broker and make money with websites you have to know what appeals to potential buyers and where you can find qualified buyers.

This is one of the greatest challenges for a web broker– finding qualified buyers. As a broker you want your clients to avoid scams, frauds and hassles. Therefore, you need buyers that check out and are ready to invest in property.

Who are these buyers?

Potential qualified buyers can be large companies looking to add another website to their portfolio. Qualified buyers can also be individuals who are looking for an established site and are willing to spend high. In other words your buyers are those who can afford to spend large amounts to get a high quality website.

Thus, it is probably not best to rely on first time web property buyers. These people are usually operating on a budget and are looking for the most inexpensive rout. However, if you can work out some deals for them, you can increase your customer base.

Finding buyers

There are number of website marketplaces for sellers to list their website. Most brokers however, have their own website where they market their business and list websites for buyers and sellers. The better you market the more exposure your website gets. Websites brokers also network constantly to build their list of potential customers. You can make large amounts of money brokering website sales if you let people know you are available.

If you have an understanding of web development and ecommerce and are looking to make money with websites then becoming a website broker is a great career choice.

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All About Jazz Music

December 31st, 2009 by admin | No Comments | Filed in e writer

Jazz music is the American musical art form originated in earlier twentieth century. The African American communities of the Southern United States from the confluence of European and African music tradition were responsible for its beginning. The West African pedigree style is evident in the use of polyrythms, blues notes improvisation, swung notes and syncopation.

From the early development of jazz music until the present, it has also included music from the nineteenth and the twentieth century American popular melody. The word jazz music began in the form of a West Coast slang expression of tentative derivation. This term was initially used in order to refer to the music in Chicago in around 1915.

From its early twentieth century inception, jazz music spawned a huge variety of sub-genres from New OrleansDixieland including the early 1910’s, bebop from middle of 1940s, big band jazz music style swing from 1940’s as well as 1930’s, Brazilian jazz from 1960s and 1950s. Besides a fusion of the Latin jazz fusion like the Afro Cuban, jazz rock mixture from the late 1980’s and 1970s developments including the acid jazz that blended the jazz influences into hip hop and funk are several other melody types that constituted jazz music.

In jazz music, the trained performers interpret a tune in different individual ways and never play the same melody. Depending on the mood of the performer as well as personal experience and interactions with the fellow musicians or the totals number of audience, the jazz music performer might later the harmonies or melodies. The European classical music is said to be the composer’s medium.

Today as well, straight ahead jazz music continues to appeal a large amount of masses. The well popular jazz musicians whose career span decades like the Wynton Marsalis, Dave Brubeck, Wayne Shorter and Sonny Rollins continue to record and perform. In the beginning of 1990 and 2000 various young talented musicians emerged such as Brad Mehldau, Jason Moran, Kurt Rosenwinkel, Stefon Harris, Roy Horgrove, Vijay Iyer, Terence Blanchard and Joshua Redman. While Bugge Wesseltoft, Christian McBride, St. Germain are several other renowned names in the world of jazz music.

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A Corporate Perspective on Entrepreneurship

December 31st, 2009 by admin | No Comments | Filed in Entrepreneurship

Have you ever wondered how those who work within a corporate atmosphere view entrepreneurship?

I sat down with Kim Lariccia who is apart of the senior management team at Progressive Insurance. Kim has practical advice for both budding and seasoned entrepreneurs. This interview was centered on four areas of opportunities for most organizations. These four areas are: leadership, systems, money and business growth. Understanding these four components of an effective enterprise will catapult your business to the next level.

The first section dealt with was leadership. My question to Kim was, “What are the components of a good leader?” Her reply was, “A leader has to be a dynamic thinker.” A competent leader must be able to think on many plateaus; organizational, interpersonal and personal. At the organizational level a leader must think about the creation and articulation of the business’ vision, the culture of the enterprise and the return on human capital. The interpersonal plateau as Kim puts it is “leadership is based on relationship”. The people within your company must trust you, believe in you and in your vision. On a personal level, a leader must build mental and emotional fortitude. Mental fortitude is necessary, because as a leader you must think on many different levels. Emotionally fortitude is required, because ultimately you are responsible for the end result. Therefore your EQ (emotional quotient) must be high for you to have your vision completed through the efforts of your personnel.

The next subject Kim and I talked about was systems. A system is a specific way of doing some thing that brings about a desired result. Entrepreneurs must realize the importance of system development and maintenance if they desire to build an effective organization. Kim indicated that entrepreneurs should use the concept of benchmarking.

Finding the “best practices” of running a business within your specific industry and then mastering those systems is benchmarking. Do you know what your competitors are doing with their processes, policies and procedures? Kim gave a great suggestion for entrepreneurs. Carry an “observation notebook”. You will use this notebook to document the systems you observe within your industry and among your competition. Write down systems, practices, and processes, both good and bad and how they made you feel.

Every experience a customer has at your place of business will affect them on an emotional level. Does this sound familiar, “When I walked into that store no asked me if I needed help. They acted as if they didn’t want my business, so I am going to spend my money where I am appreciated.” The customer’s experience is not logical, it’s emotional. As Kim said, “A great customer experience is what drives success”.

Then naturally, our conversation moved to the topic of money. My question to Kim, “What should entrepreneurs focus on, cash-flow or profitability”. Her reply, “Cash-flow is the reality to stay in business, that is why you need solid backing from the start. Once your cash-flow is consistent, you can position your company to become profitable”. Entrepreneurs must first get the resources they need so their companies can achieve a consistent cash-flow. A resource is not only currency. It’s having a network of trustworthy colleagues that you can bounce ideas off of. It’s also aligning yourself with employees that compliment you abilities. We ended this area with Kim saying, “Don’t panic about the money do your research” This statement transition the interview to our last topic, business growth.

The question that was asked, “How can an entrepreneur grow an organization?” Kim indicated, “It all starts with research, and this is the step most entrepreneurs try to skip”. First, you learn about the opportunity. Is it good, bad or indifferent to you? If it is a good venture, then investigate to find out the type of infrastructure that is needed to capitalize on the opportunity. Finally, do your planning and your forecasting for your new business.

“If possible after the research stage”, Kim said, “pilot your business”. Some call this practice, test marketing. During this process you will find out if your research was accurate. This is also where you will tweak and fine-tune your systems. The piloting stage will give you a glimpse of the capital needed and returns that are possible without a huge upfront investment. Also, while you are piloting your business, make sure you document the best practices for your organization so your future employees can perform their jobs.

At the conclusion for the interview I asked Kim, “What final advice do you have for entrepreneurs?” Her response, “Concern yourself with the ‘what if’s’. What if your company grows twice or four times as fast as you expected? What will you do? What if your business does not grow as fast as you have projected? What will you do?” When entrepreneurs concern themselves with the ‘what if’s’, they will focus on the necessary up front preparation; research, planning and documentation. As a result, they will build and effective organization.

Thank you to Kim Lariccia for your time and needed wisdom. This information will help entrepreneurs on their journey to building an effective organization.

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How To Make Money From Passions

December 31st, 2009 by admin | No Comments | Filed in Make Money

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How To Make Money From Passions

Maverick Money Makers © 1997 – 2008

MoneyTers.blogspot.com
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To make money online many people jump right in before they are properly prepared. You know that to be a rocket scientist, a doctor, a brick layer, a construction worker, an office worker, a teacher there are prerequisites, things you must learn, before you can be successful, you don’t just jump right in unprepared.

The same applies to the Internet marketing industry even though there are unsavory people out there who’d have you believe it’s a “Walk in the Park” and requires no more than the belief that you can just do it.

And I’ll have to admit, it is a walk in the park compared to what you have to put up with in the working world punching a clock being a subordinate to someone who does not have your interests in mind, but there are still rules you have to follow and pitfalls you must avoid to actually make Internet marketing work for you.

Most people will not make a dime online and yet there are others who will make more in one month than most people make in a whole year. Why is that?

My answer begins with the age-old chicken or egg question, “what comes first the chicken or the egg”? Personally I vote for, well never mind, each argument you or I make comes back to the same old conclusion – I have no clue and I don’t think many of us do either.

But one thing I do have a clue about and know for sure is that to make money online you must first have Passion for the company products and/or service of any Internet business from which you expect to make money.

Passion in this sense simply means that you’ve researched and like the company and products or services. It is then that you translate that like (or Passion) into the education, excitement and work that usually accompany Passion.

I will have to say that many online entrepreneurs are so good at what they do that they ignore passion because they can sell anything. But I’m concerned about those of you who are not so knowledgeable at working an online business successfully.

Now, I’m not trying to make anyone believe that Passion is the only thing necessary. Because to be successful you must also have a good website, good marketing, widespread advertising, company support, effective keywords, and etc. Those things are often learned from the company you join – but sidestep Passion and you reduce your chances for success dramatically.

It therefore follows that, if you have no Passion for the company and the products and services provided by that company, again, you won’t attempt to do the work you are being taught.

Internet marketing work is typically not all that difficult or time consuming but it does take motivation caused by Passion to get you off and running with a sustained effort so that you won’t stumble.

You have a great resource in the Internet search engines to search about the Internet Marketing industry for business opportunities, USE IT!

Your research should uncover a company that you like and have confidence in. It should be solid, founded on great principles, and easy to understand with great products and services that are sell-able for which you can have Passion. If you don’t find it move on,
You can find the right opportunity containing the attributes identified above.

Comments like, well, that one sounds good and the compensation plan is excellent so I guess I’ll start that business – does not sound like a decision based on anything near Passion. And remember when you hear that an Internet “guru” does that, don’t be tempted, because as I said earlier they are experienced and can sell just about anything, without being Passionate about the company products and services.

Note: By the way it’s your goal to get to the point where you can sell about anything online. That end skill and goal is a worthy one indeed.

Remember, there are other steps you must make before you step into Internet Marketing but if you don’t first find the right company products and services to be passionate about, all of those other steps may just cause you a lot of frustration instead of bringing you great success.

Not being Passionate about a company and products and services that has market proof that it will sell is a pitfall you simply must avoid.

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Maverick Money Makers is a private 
society that will teach you how to
build a six-figure a month business
on the internet. 

If you want to make money online, 
join the society before it’s too late.

MoneyTers.blogspot.com

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Jazz Piano – the History

December 31st, 2009 by admin | No Comments | Filed in e writer

Jazz Piano is an integral part of jazz idiom since it has been incepted in both ensemble and solo settings. Due to its harmonic and melodic nature, the instrument is quite important for understanding the jazz arranging and theory. Along with a jazz guitar, a jazz piano is also one of those instruments of jazz combo which may be played with chords as with a trumpet or saxophone.

If you are into practice jazz piano you must know about jazz practice tool where chords are the primary substance in the instrument, and the second skill you will have to learn is how to play jazz piano with swing rhythm. Then is the skill of improvisation which requires you to make something on the spot. This is a skill that requires tremendous skills and extreme knowledge of the piano.

Earlier, the jazz piano used to be heavily stride technique and it was often played solo. Historically influential promoters of early piano include Earl Hines, Jelly Roll Morton, Teddy Wilson and Art Tatum. The playing style of Mary Lou Williams, Wilie Smith and James P. Johnson shaped the history of jazz piano. The 1950s and the 1960s were the golden age of the jazz which created many important and influential jazz piano players. These powerful players included Red Garland, Ahmad Jamal, Don Pullen, Bud Powell, Cecil Taylor and Horace Silver. The jazz pianists require an exclusive skills set and the piano’s extended range as a playing instrument offers the solo players an exhaustive variety of choices. One can use bass register for playing a pattern of ostinato such as that of a melodious counterline or boogie woogie emulating the playing of upright bass. Stride piano is a style of playing in which the left hand of the player changes positions rapidly while he plays notes in bass register and the chords in tenor register. This can also be done in a more syncopated variant.

Bill Evans sat at the front line of new generation players who emerged in 1960s including Chick Corea, John Taylor, Dave Brubeck and Keith Jarrett. Today, the popular figures in the field of jazz piano include Bill Charlap, Brad Mehldau, Jacky Terrasson, Danilo Perez and Geoffrey Keezer.

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The Secret Life of Machines

December 31st, 2009 by admin | 2 Comments | Filed in e writer

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(Redirected from Secret Life of Machines)
The Secret Life of Machines is a television series created by Tim Hunkin and presented by himself and Rex Garrod. In it they explain the inner workings and history of common household and office machinery. According to Hunkin, the series was developed from his comic strips The Rudiments Of Wisdom which he researched and drew for the Observer newspaper over a period of 14 years.
Three separate series were produced and originally shown between 1988 and 1993 on Channel 4 in the UK. The programme has also subsequently aired on the Discovery Channel.
The theme song is called The Russians are Coming (a cover of Dave Brubeck’s Take Five) by roots artist Val Bennett.
Contents
There were three individual series in all, each covering a particular set of machines. The first covered household appliances, whilst the second broadened its scope to include devices used outside the home (such as the car). The third series (sometimes referred to as The Secret Life of the Office) looked at the machines used in a modern office.
Each episode was given an individual title, such as The Secret Life of the Vacuum Cleaner. Although ostensibly about a specific appliance or piece of technology, the scope of each episode often covered related technologies. For example, the video recorder episode looked at magnetic recording from its origins, and memorably featured Hunkin and Garrod recording their voices on some crude home-made “audio tape” consisting of rust-coated sticky tape.
Another notable aspect about the programmes was their use of humorous animations based on Hunkin’s own drawings. These were often based around the historical figures involved in the development of a particular technology. These animations were also an artistic commentary on modern society such as what people fantasize about while riding in an elevator (as shown in the episode “The Lift”) or corporate disregard for individuals’ rights (shown in many episodes including “The Radio” and “The Car”).
The final programme in each series (as well as some others) ended with an epilogue consisting of an elaborate installation which resembled an aspect of the machine or technology under discussion. One notable example was a giant statue resembling a robot, which was built from scrap computer monitors, printers and other parts. This was blown up with the use of pyrotechnics. Hunkin described it as an allegory that computers are just a collection of transistors and no “superhuman intelligence”.
Series 1 (1988)
This series covers household appliances.
The vacuum cleaner
The sewing machine
The central heating system
The washing machine
The refrigerator
The television set
Series 2 (1990)
In the second series, the scope is widened slightly to include devices used outside the home. The first two episodes are closely related, both dealing with the car and similar vehicles.
The car
More specifically, this episode covered the body/chassis component only.
The internal combustion engine
The quartz watch
The telephone
The radio
The video recorder
Series 3 – The Secret Life of the Office (1993)
The third and final series concentrated on office-related technology. It also introduced an animated set of fictional characters who worked in the offices of the fictional Utopia Services company.
The lift
The word processor
This programme used its core subject as the basis for a look at many significant technologies surrounding modern computer systems.
The electric light
The photocopier
The fax machine
The office
The final “Secret Life” programme broadcast, this episode broadened its scope to cover not just the physical technologies, but also the evolution of the social engineering involved in the running of an office.
Creative uses
Hunkin and Garrod used the series to show – with apparent pride – some of their devices which they built from parts taken from above named machines. The creations, some of which were only decorative, others useful, albeit offbeat in appearance, show the potential uses of broken machinery. An extreme example is the giant clock powered by steam power.
Availability
Tim Hunkin himself encourages others to download the series from filesharing networks.
External links
The Secret Life Of Machines Home Page
Section on TV writing and presenting on Tim Hunkin’s homepage
Footnotes
^ Or seasons, as groupings of individual programmes are referred to in U.S. English
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This is Swingthing

December 31st, 2009 by admin | No Comments | Filed in e writer

“SWINGTHING” which is run by Solway Music, is a 4/5 piece jazz/swing band which is available for weddings, celebrations, functions and corporate events. The band specialises in jazz and swing music in the “rat pack” style but is equally at ease performing in a variety of genres. To underline this versatility, Swingthing recently had the pleasure of performing for Camilla Dallerup and Ian Waite in a ballroom dancing weekend held at the Lodore Falls hotel on the shore of Lake Derwentwater near Keswick.


A prominent feature of “Swingthing” is the fabulous voice of Ronnie Walker who styles himself on Frank Sinatra. Ronnie has been on the circuit for many years and has performed in venues all over the country. He is not limited to one particular style , however, and is perfectly at home with rock n roll and other dance music.


He is ably accompanied by Brian Melville -keys. Brian has been a musician for many years and has performed in a variety of venues in the UK and Europe. His first love is jazz music but is not averse to playing any type of music when the occasion arises. Favourite bands include Chick Corea Electrik Band, The Yellowjackets, Dave Weckl Band and Dave Brubeck Quartet. Brian is currently playing a Roland FP3 electric piano and a Korg M1 synthesizer


Laurence Blackadder – bass. Laurence is a relative newcomer on the scene but has made rapid progress on his 150 year old French bass. He also plays 6 string electric bass which gives him access to a wide range of genres. He is currently receiving lessons from Zoltan Dekany and formerly from Iain Crawford of the Scottish Symphony.


Dave Thompson – drums. Dave is a highly experienced percussionist who has played professionallly in Europe and the Middle East. Having learned his trade in Birmingham he moved north where he now resides.


Swingthing are also able to perform in a variety of formats. Brian Melville is already an accomplished lounge pianist and performs regularly in local hotels but he is equally at home performing in a duo with any member of the band. Similarly, performing as a trio, Swingthing have a wide ranging rpertoire of jazz and have available Jonathan Melville on saxophones as and when requested . The band is not limited to any particular style. To further expand and underline the appeal of Swingthing, the band has available two girl singers who perform with the band in completely different styles. Caroline Sweeney, who has performed at a number of venues, is very much in the Billy Holliday and Madeline Peyroux mold. Joanne Rudd, “Jo Jo”, is in a very different style and specialises in music by Norah Jones and Katie Melua. Joanne is going to be an integral part of the set up.


Contact with Solway Music is possible at ….www.solwaymusic.co.uk


You can listen to a podcast about Swingthing by going to the Solway Music website and scrolling to ” Podcasts….Podcasts……Podcasts”.

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