In the life of Miles Davis the year 1955 saw the first version or incarnation of the Miles Davis Quintet. In this band there were featured some of the biggest names in jazz of the time such as John Coltrane, red Garland, Paul Chambers and Philly Joe Jones.

It must be said that in the world of jazz this was new stuff and did not move along the lines of the rhythmic and harmonic complexity of the then prevalent bebop. It was a progression towards modal jazz where Davis was allowed to play long, legato, melodic lines. The pianist Ahmad Jamal played a role in the formation of this style at around this time because Davis was strongly influenced by his sparse style which contrasted strongly with the busy sound of bebop.

In 1955 Davis was still under contract to Pretige Records at this time but due to a contract arrangement made the first recordings for this group at Columbia records. The new music was released on the album Round About Midnight. This was followed by the product of two days of recording in 1956 which was released as Relaxin and with the Miles Davis Quintet, Streamin with the Miles Davis Quintet, Workin with the Miles Davis Quintet and cookin’ with the Miles Davis quintet.

In all this quintet amounted to a very productive collaboration but it was never stable. The problem of drugs was never really far away and several of the other members of the group used heroin which caused the band to disband in the early months of 1957. It must be said here that following this, in 1958 the quintet reformed as a sextet but this time with the addition of Julian Cannonball Adderley and subsequently recorded Milestones.

But first, and later on in 1955 Davis traveled again to France but this time it was too composed the score to Louis Malle’s Ascenseur pour l’chafaud. In this work he recorded the soundtrack entirely with the aid of French session musicians which included Barney Wilen, Pierre Michelot, Rene’ Urtreger and the American drummer Kenny Clarke.

Returning to America and later on in the 1950s and early 1960s Davis started a period of outstanding and diverse creativity in collaboration with the noted jazz musician Gil Evans. These two artists recorded a series of albums together which saw Davis often playing flugelhorn as well as trumpet. The first product of the sessions was an album called “Miles Ahead” and showcased Davis’ playing with at jazz big-band, the horn section beautifully arranged by Evans.

The pieces that were produced at this time included music by Dave Brubeck and Leo Delibes and the sessions were notable because they included Davis’ first piece of European classical music. This was important and innovative stuff for the time notably because of its editing which in joining the tracks together created a seamless musical experience between each side of the album.

During this period also and in 1958 Davis and Evans recorded Porgy and Bess. This was a great recording which consisted of an arrangement of pieces from George Gershwin’s opera of the same name and featured members of Davis’ band such as Paul Chambers, Cannonball Adderley and Philly Joe Jones. Davis himself said that this album was one of his favorites.

In 1959 the atmospheric and now famous “Sketches of Spain” was recorded. These were evocative and beautiful pieces of music, by and large arranged by Gil Evans and some of which recorded at a concert in Orchestra under Evans direction. This was all about Spain and the embodiment of the feel and soul of Spain. These Recordings were a spirited interpretation of the music of two of Spain’s most gifted contemporary composers; Joaquin Rodrigo and Manuel de Falla as well as and including Gil Evans originals with a Spanish theme.

Davis’ collaboration with Gil Evans would go on for most of Davis’s life but 1962 was the last year in which they created a full album together. Throughout the two men had a great deal of respect and friendship for each other. In his autobiography Davis noted ;”…my best friend is Gil Evans”.

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(Redirected from Secret Life of Machines)
The Secret Life of Machines is a television series created by Tim Hunkin and presented by himself and Rex Garrod. In it they explain the inner workings and history of common household and office machinery. According to Hunkin, the series was developed from his comic strips The Rudiments Of Wisdom which he researched and drew for the Observer newspaper over a period of 14 years.
Three separate series were produced and originally shown between 1988 and 1993 on Channel 4 in the UK. The programme has also subsequently aired on the Discovery Channel.
The theme song is called The Russians are Coming (a cover of Dave Brubeck’s Take Five) by roots artist Val Bennett.
Contents
There were three individual series in all, each covering a particular set of machines. The first covered household appliances, whilst the second broadened its scope to include devices used outside the home (such as the car). The third series (sometimes referred to as The Secret Life of the Office) looked at the machines used in a modern office.
Each episode was given an individual title, such as The Secret Life of the Vacuum Cleaner. Although ostensibly about a specific appliance or piece of technology, the scope of each episode often covered related technologies. For example, the video recorder episode looked at magnetic recording from its origins, and memorably featured Hunkin and Garrod recording their voices on some crude home-made “audio tape” consisting of rust-coated sticky tape.
Another notable aspect about the programmes was their use of humorous animations based on Hunkin’s own drawings. These were often based around the historical figures involved in the development of a particular technology. These animations were also an artistic commentary on modern society such as what people fantasize about while riding in an elevator (as shown in the episode “The Lift”) or corporate disregard for individuals’ rights (shown in many episodes including “The Radio” and “The Car”).
The final programme in each series (as well as some others) ended with an epilogue consisting of an elaborate installation which resembled an aspect of the machine or technology under discussion. One notable example was a giant statue resembling a robot, which was built from scrap computer monitors, printers and other parts. This was blown up with the use of pyrotechnics. Hunkin described it as an allegory that computers are just a collection of transistors and no “superhuman intelligence”.
Series 1 (1988)
This series covers household appliances.
The vacuum cleaner
The sewing machine
The central heating system
The washing machine
The refrigerator
The television set
Series 2 (1990)
In the second series, the scope is widened slightly to include devices used outside the home. The first two episodes are closely related, both dealing with the car and similar vehicles.
The car
More specifically, this episode covered the body/chassis component only.
The internal combustion engine
The quartz watch
The telephone
The radio
The video recorder
Series 3 – The Secret Life of the Office (1993)
The third and final series concentrated on office-related technology. It also introduced an animated set of fictional characters who worked in the offices of the fictional Utopia Services company.
The lift
The word processor
This programme used its core subject as the basis for a look at many significant technologies surrounding modern computer systems.
The electric light
The photocopier
The fax machine
The office
The final “Secret Life” programme broadcast, this episode broadened its scope to cover not just the physical technologies, but also the evolution of the social engineering involved in the running of an office.
Creative uses
Hunkin and Garrod used the series to show – with apparent pride – some of their devices which they built from parts taken from above named machines. The creations, some of which were only decorative, others useful, albeit offbeat in appearance, show the potential uses of broken machinery. An extreme example is the giant clock powered by steam power.
Availability
Tim Hunkin himself encourages others to download the series from filesharing networks.
External links
The Secret Life Of Machines Home Page
Section on TV writing and presenting on Tim Hunkin’s homepage
Footnotes
^ Or seasons, as groupings of individual programmes are referred to in U.S. English
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The concept of a garage opening system arrived during the Second World War. Garage Openers have been saving Americans from back injuries for over 35 years, yet there have been few new modifications or major innovations in these door openers. Believe it or not some people have voice activated door openers instead of you having to place your finger over the button when you walk from your house to the garage.

Garage door can keep the home safe because when they close the doors are locked automatically, this way you don’t have to worry about locking the doors. Garage doors are important features in a security system for a number of reasons and those who use openers, however, need to be mindful of a few things. The main parts in a garage opener system are: transmitter, the remote control, safety sensors, key pads, receiver/remote kits, screw drive and much more.

The door openers are automatic and so convenient they are standard in most garages today. An automatic opener is not just a convenience; it’s an investment in your house, and an important home appliance that will get daily use for many years to come. An automatic door opener is a terrific convenience and it may give you a sense of security as well.

When building a home it is sometimes confusing when trying to figure out the opening of the garage. The rough opening for a garage door, simply put, is the actual size of the door itself. You should make sure the door is properly balanced you can do this by slowly opening and closing the door, when the bottom of the door hits the floor evenly and the door doesn’t sway back and forth the door is balanced.

The reason garage door openers do not burn out is because the springs allow the door to open easily by pulling the door up so the opener has less strain on the motor, the springs also help if you need to open the door manually. Usually two types of springs are used linear expansion and tensional springs. The springs on your garage door can pose a safety hazard. These kinds of springs are installed over a shaft that helps roll the door up to the open position. Garage springs are very dangerous, even when the garage is closed, as they contain large amounts of potential energy (that’s just waiting to be suddenly converted to kinetic energy, ie movement) and have killed or seriously injured many people.

Some garage door openers offer heavier steel or a sturdier design. Some openers do not use the steel chain pulley system; they use a screw threaded steel rod that turns to move the garage door up and down. If you are deciding on which type of garage door to purchase keep in mind the differences between wood and metal, the wood doors need to be taken care of just like a deck, you need to stain or paint it so it doesn’t rot, a steel door is easier to maintain. If you decide to get a steel door the main thing to check is that it has been properly prepared to prevent rust.